Monsters. What Do We Do With Great Art By Bad People? Marina Abramovic in the end

in the end

Oft sind es nur Teile von ihnen: Äpfel oder andere Früchte

the architect who brought the lessons of medieval Tuscan hill towns to modern-day New York City

Durch den Fall des Eisernen Vorhangs rückte es ins Zentrum und konnte sich zu einer europäischen Metropole mausern

and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest

Monsters. What Do We Do With Great Art By Bad People? Marina Abramovic in the endFrom the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, a passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of #MeToo, and of the link between genius and monstrosity. In this unflinching, deeply personal book that expands on her instantly viral Paris Review essay, What Do We Do with the Art of Monstrous Men? Claire Dederer asks: Can we love the work of